Since the dawn of cinema, the skyscraper has established itself as a constant presence among the ar- chitectural types represented, giving form to the urban landscapes of movies. What is most striking about the skyscraper is its cinematic presence, standing out from the background and often becom- ing a lead actor. The skyscraper is a strongly hierarchical architecture (both in formal and urban roles) and this aspect also reflects social and logical distinctions of power.
Lost in translation: paradigmi filmici del grattacielo tra oriente e occidente / Ciotoli, P., Falsetti, M.. - (2020), pp. 287-297. (9th AISU Congress 2019. La città globale. La condizione urbana come fenomeno pervasivo. The Global City. The urban condition as a pervasive phenomenon Turin; Italy ).
Lost in translation: paradigmi filmici del grattacielo tra oriente e occidente
Falsetti Marco
2020
Abstract
Since the dawn of cinema, the skyscraper has established itself as a constant presence among the ar- chitectural types represented, giving form to the urban landscapes of movies. What is most striking about the skyscraper is its cinematic presence, standing out from the background and often becom- ing a lead actor. The skyscraper is a strongly hierarchical architecture (both in formal and urban roles) and this aspect also reflects social and logical distinctions of power.| File | Dimensione | Formato | |
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