This article aims to investigate the phenomenon of video-making professionals and how they are changing the organizational and management dynamics of the creative industries in the social media era. These professionals have achieved resounding success thanks to commercial, amateur and satirical videos, viral marketing and web series. We see them as new cultural intermediaries occupying spaces between culture, economy and community, so fashionable and popular as to be capable of interacting and negotiating with publishing and production companies, proposing new models of economic exploitation of cultural products. Drawing on the bourdieusian framework of cultural intermediaries and by applying an in-depth case study of an Italian independent video-making company, we investigate how bohemian and entrepreneurial behaviours relate within their creative production. The analysis shows a gradual process of overlapping between product and producer that characterizes their contents’ production and enables them as ‘self-branded creators’.
Looking at Video Making Professionals Organizations on Social Media as Cultural Intermediaries: A Case Study / Bizjak, Davide; Sicca, LUIGI MARIA; Napolitano, Domenico; Cicellin, Mariavittoria; Consiglio, Stefano. - (2023), pp. 1-34. (Intervento presentato al convegno EURAM 2023: Transforming business for good tenutosi a Dublino nel 14-16 giugno 2023).
Looking at Video Making Professionals Organizations on Social Media as Cultural Intermediaries: A Case Study
Davide Bizjak
;Luigi Maria Sicca;Domenico Napolitano;Mariavittoria Cicellin;Stefano Consiglio
2023
Abstract
This article aims to investigate the phenomenon of video-making professionals and how they are changing the organizational and management dynamics of the creative industries in the social media era. These professionals have achieved resounding success thanks to commercial, amateur and satirical videos, viral marketing and web series. We see them as new cultural intermediaries occupying spaces between culture, economy and community, so fashionable and popular as to be capable of interacting and negotiating with publishing and production companies, proposing new models of economic exploitation of cultural products. Drawing on the bourdieusian framework of cultural intermediaries and by applying an in-depth case study of an Italian independent video-making company, we investigate how bohemian and entrepreneurial behaviours relate within their creative production. The analysis shows a gradual process of overlapping between product and producer that characterizes their contents’ production and enables them as ‘self-branded creators’.File | Dimensione | Formato | |
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