The essay explores how the appropriation of Longinus’ "Peri hupsous" in Renaissance theory and practice contributed to the formation of modern authorship in hexameral poetry by focusing on Torquato Tasso’s Il mondo creato (1594, published posthumously in 1607) and John Milton’s Paradise Lost (1667).
Origins, Authorship, and the Sublime between Late Antique Theory and Renaissance Hexameral Poetry / Montori, I.. - 214:(2024), pp. 94-120.
Origins, Authorship, and the Sublime between Late Antique Theory and Renaissance Hexameral Poetry
Irene Montori
2024
Abstract
The essay explores how the appropriation of Longinus’ "Peri hupsous" in Renaissance theory and practice contributed to the formation of modern authorship in hexameral poetry by focusing on Torquato Tasso’s Il mondo creato (1594, published posthumously in 1607) and John Milton’s Paradise Lost (1667).File in questo prodotto:
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