Abstract Music can have a strong psychology effect on people in terms of affect, autobiographical memories, and also mental imagery (Juslin, & Västfjäll, 2008) [1]. Recent research indicates that music can be used as a tool to promote private writing, a type of writing which results from emotions and autobiographical memory (Ramirez, Beilock, 2011) [2]. Moreover, research indicates that such therapeutic writing can work as medium to reappraise passed events (Chen, Penhune, Zatorre, 2008; Conway, 2003) [3] [4]. This paper discusses the didactic value of music motivated autobiographical writing after music listening (Strollo, Vittoria, 2012) [5]. Moreover, results will be presented of a recent study that was conducted among 25 undergraduate psychology students to further explore this topic. As part of this research students were invited to download a list of 100 musical tracks on their I-pod and listen to this music in a classroom while writing about any memories that were recalled during this task. After listening to the music, participants were asked to respond to a questionnaire and had to write in a logbook. The questionnaire was constructed and tested ad hoc referring to the scientific literature on the topic and to the analysis of the categories emerging from the logbooks of participants of a prior study. Students could use autobiographical writing as a device of retrospection, self-reflection and selftraining. Moreover, students seem to grasp the elements of self-censorship and self-control, to test the role of music on cognitive processes and in particular the association between music, emotions and experiences (Strollo, 2011) [6]. Findings indicated that this project increased people’s awareness of the connections between music, body and cognitive processes as formative tools, particularly thanks to music “projective” potential which allows spontaneous memory recall.
MUSIC, BODY, WORDS AND EDUCATION: A PILOT STUDY / Strollo, MARIA ROSARIA; Vittoria, Paolo; Romano, Alessandra; Van De Tol, A. J. M.; Demonte, N.. - (2014), pp. 589-598. (Intervento presentato al convegno 7th International Conference of Education, Research and Innovation tenutosi a Siviglia nel November 17th-19th, 2014).
MUSIC, BODY, WORDS AND EDUCATION: A PILOT STUDY
STROLLO, MARIA ROSARIA;VITTORIA, PAOLO;ROMANO, ALESSANDRA;
2014
Abstract
Abstract Music can have a strong psychology effect on people in terms of affect, autobiographical memories, and also mental imagery (Juslin, & Västfjäll, 2008) [1]. Recent research indicates that music can be used as a tool to promote private writing, a type of writing which results from emotions and autobiographical memory (Ramirez, Beilock, 2011) [2]. Moreover, research indicates that such therapeutic writing can work as medium to reappraise passed events (Chen, Penhune, Zatorre, 2008; Conway, 2003) [3] [4]. This paper discusses the didactic value of music motivated autobiographical writing after music listening (Strollo, Vittoria, 2012) [5]. Moreover, results will be presented of a recent study that was conducted among 25 undergraduate psychology students to further explore this topic. As part of this research students were invited to download a list of 100 musical tracks on their I-pod and listen to this music in a classroom while writing about any memories that were recalled during this task. After listening to the music, participants were asked to respond to a questionnaire and had to write in a logbook. The questionnaire was constructed and tested ad hoc referring to the scientific literature on the topic and to the analysis of the categories emerging from the logbooks of participants of a prior study. Students could use autobiographical writing as a device of retrospection, self-reflection and selftraining. Moreover, students seem to grasp the elements of self-censorship and self-control, to test the role of music on cognitive processes and in particular the association between music, emotions and experiences (Strollo, 2011) [6]. Findings indicated that this project increased people’s awareness of the connections between music, body and cognitive processes as formative tools, particularly thanks to music “projective” potential which allows spontaneous memory recall.File | Dimensione | Formato | |
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