The aim of this essay, divided into two parts, is to investigate the relations between musical theory and practice in Marsilio Ficino’s philosophy. The principles of music in the 'Commentarium in Timaeum' and the epistle 'De rationibus musicae' find an application in Ficino’s Orphic singing and magico-astrological music of the 'De vita coelitus comparanda'. The study of this texts demonstrates that the philosopher was not only a musician but also an innovative theorist of music.
Teoria musicale e tecniche di composizione astrologica in Marsilio Ficino / Melisi, R. - In: STUDI FILOSOFICI. - ISSN 1124-1047. - XXXVI:(2013), pp. 9-26.
Teoria musicale e tecniche di composizione astrologica in Marsilio Ficino
Melisi R
2013
Abstract
The aim of this essay, divided into two parts, is to investigate the relations between musical theory and practice in Marsilio Ficino’s philosophy. The principles of music in the 'Commentarium in Timaeum' and the epistle 'De rationibus musicae' find an application in Ficino’s Orphic singing and magico-astrological music of the 'De vita coelitus comparanda'. The study of this texts demonstrates that the philosopher was not only a musician but also an innovative theorist of music.| File | Dimensione | Formato | |
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