Giulia Veronesi was an Italian writer and publicist who recounted the contemporary Italian and European artistic culture, during her long career as a correspondent for several cultural magazines and journals. In friendship with artists and collectors, she was involved in the contemporary artistic milieu in Milan and Paris. Her contribution to the knowledge of Italian art history between the thirties and the sixties was therefore significant, although she can not be considered a historian in the proper sense. Since Veronesi’s work is not yet sufficiently discussed in scientific literature, this study analyses a selection of writings published in “Emporium”, which highlight Veronesi’s critical approach and her contribution to the formation of an artistic historiography of Italian art in the mid-twentieth century. The article concludes with a complete bibliography of her works published in “Emporium”, which aims to initiate a comprehensive exploration of Veronesi’s references.
Giulia Veronesi, pubblicista di “Emporium” (1945-1964). Un archivio ideale della storia dell’arte italiana contemporanea / Lagana', Annalisa. - In: STORIA DELLA CRITICA D'ARTE. - ISSN 2612-3444. - 2023:(2023), pp. 243-268.
Giulia Veronesi, pubblicista di “Emporium” (1945-1964). Un archivio ideale della storia dell’arte italiana contemporanea
Annalisa Lagana'
2023
Abstract
Giulia Veronesi was an Italian writer and publicist who recounted the contemporary Italian and European artistic culture, during her long career as a correspondent for several cultural magazines and journals. In friendship with artists and collectors, she was involved in the contemporary artistic milieu in Milan and Paris. Her contribution to the knowledge of Italian art history between the thirties and the sixties was therefore significant, although she can not be considered a historian in the proper sense. Since Veronesi’s work is not yet sufficiently discussed in scientific literature, this study analyses a selection of writings published in “Emporium”, which highlight Veronesi’s critical approach and her contribution to the formation of an artistic historiography of Italian art in the mid-twentieth century. The article concludes with a complete bibliography of her works published in “Emporium”, which aims to initiate a comprehensive exploration of Veronesi’s references.File | Dimensione | Formato | |
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